Mariana Mazú (AR/NO)
With her debut album La bella indiferencia, Argentinian singer Mariana Mazú stepped into the limelight in her homeland and walked away with the Gardel Award for Best Tango Album of the year and Best Tango Artist of 2021.
With her debut album La bella indiferencia, Argentinian singer Mariana Mazú stepped into the limelight in her homeland and walked away with the Gardel Award for Best Tango Album of the year and Best Tango Artist of 2021.
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Last event date: Thursday, May 04 2023 8:00PM
Mariana Mazú (AR/NO)
Featuring:
Mariana Mazú - vocals
Leonardo Andersen - guitar
Karl Espegard - violin
Produced by the renowned musician Acho Estol (La Chicana), the album has resulted in over one million plays on Spotify. Following the success of her first European tour in May 2022, Mazú is now embarking on a new round of concerts in 2023. She is accompanied by one of the country's leading guitarists, Leonardo Andersen, and the acclaimed Norwegian violinist Karl Espegard, a founding member of the critically acclaimed tango ensemble El Muro Tango. He has performed in prestigious concert halls like Amsterdam's Royal Concertgebouw and Konzerthaus München. Andersen is a sought-after guitarist and composer from Argentina. He works with leading international artists such as Nicky Nicole, Abel Pintos, and Franco Luciani, the latter with whom he won the Argentine Grammy for Best Instrumental Tango Album in 2021.
Table reservations are automatically added during ticket purchase.
Please note that if you purchase an odd number of seats, you might have to share the table with others, especially if the concert is sold out.
For the best dining experience please arrive around 7pm.
We hold reservations until 8pm.
In June 2025, BBC Music Magazine selected Pierre-Laurent Aimard's album as its Recording of the Month. The album features selections from György Kurtág's cycle Játékok (Games), including the then-unreleased 11th volume. According to a critic in The Guardian, “Játékok is one of the most significant works of the past half-century, and Aimard is the perfect guide to it.”
As in Anton Webern's work, the short piece, short movement, or musical miniature in György Kurtág's oeuvre is not the result of any form of reduction. It is well known that, for neither composer, brevity refers to the duration of musical processes, but rather to the density of musical communication. The large-scale cycles composed of these dense communications – from The Sayings of Péter Bornemisza to Kafka Fragments and beyond – are particularly characteristic of Kurtág's output.
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