The trio’s music can be defined at the exciting intersection of boogie, swing, hip-hop, folk and free jazz. The repertoire consists of songs composed from their own compositions as well as very diverse styles and played in a very unique style and honest manner.
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Last event date: Wednesday, June 08 2022 8:00PM
It’s characterized by a fresh, free-thinking playing, and the fact that we don’t know what’s going to happen in the next moment. In terms of instrumentation, this music is especially light in some places, sometimes quite abstract, with a deep, special tone, sometimes experimenting with contemporary elements, and occasionally lacks the grotesque humour either. The personality, wide-ranging musical taste and interest of the soloist Jenő Lisztes cimbalom player, who is joining the trio for the first time, fits perfectly into this musical environment.
Featuring:
Gábor Weisz - saxophone, flute
MarcellGyányi - double bass, bassguitar
Márk Badics - drums, noise vocals
Jenő Lisztes - cimbalom
Benjamin Appl recorded songs by Schubert, Brahms, and Kurtág on his album Lines of Life, released in 2025. On the album, the composers and their works are closely intertwined in the truest sense. Listeners will not only marvel at how Kurtág's music keeps the world of 19th-century German songs alive in various ways, but will also notice that at times Schubert or Brahms seem to continue or develop phrases, motifs, or ideas from Kurtág.
As in Anton Webern's work, the short piece, short movement, or musical miniature in György Kurtág's oeuvre is not the result of any form of reduction. It is well known that, for neither composer, brevity refers to the duration of musical processes, but rather to the density of musical communication. The large-scale cycles composed of these dense communications – from The Sayings of Péter Bornemisza to Kafka Fragments and beyond – are particularly characteristic of Kurtág's output.
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