Ávéd János 12
“Composition is just improvisation in slow motion,” said Arnold Schoenberg. “Composition is slowed-down improvisation, and improvisation is sped-up composition,” said Wayne Shorter. more
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Last event date: Friday, May 05 2023 8:00PM
This time, saxophonist János Ávéd explores the full spectrum of the 12 tones and the relationship between composition and improvisation with such excellent musicians as Veronika Harcsa, László Fassang, Máté Pozsár, Péter Ajtai and Attila Gyárfás. In 2013, John O'Gallagher fused Webern's music into the idioms of New York contemporary jazz, testing the applicability of Anton Webern's compositional methods to improvisation. This theme is also at the heart of János Ávéd's research. Is it possible to spontaneously create twelve-tone musical structures while maintaining the integrity of the compositional technique? How far does improvised music remain in Webern's style? Should it remain in this style at all? Is there such a thing as twelve-note jazz?
Featuring:
Veronika Harcsa - vocals
János Ávéd - saxophone, arrangements, compositions
László Fassang - Hammond organ, piano
Máté Pozsár - piano, analog synthesizer
Péter Ajtai - double bass
Attila Gyárfás - drums
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We hold reservations until 8pm.
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In this concert, she will perform the standards made famous by Ella, her most iconic songs, with arrangements typical of the golden age of jazz.
Raquel Kurpershoek Jaldón, born in 1998, became known after winning talent contests from 2016. She learned Cuban, Brazilian, and Indian music in Rotterdam and flamenco singing in Spain. She also studied sign language. In 2020, her documentary Traslasierra about flamenco and the deaf won awards internationally.
There will also be a premiere in the spring series, but most of the plays have already been performed, but usually only once, but in the current arrangement, they will be able to show new associations and new connections.
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