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Kristóf Bacsó Triad (HU)

Kristóf Bacsó Triad (HU)

Saxophonist-composer Kristóf Bacsó occasionally extends his musical horizon with guest musicians, as was the case when he recorded an album with bassist Lionel Loueke (Pannon Blue), creating a kind of fusion of Hungarian-focused contemporary jazz and West African-influenced improvisational music, and then, with his own band, Kristóf Bacsó Triad, he recorded another album together with guest bassist Daniele Camarda (Imaginary Faces).

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Last event date: Wednesday, April 02 2025 8:00PM

The backbone of this evening is the songs from their next album, which they will record in the days after the concert for BMC Records. The trio will be joined both at the concert and on the album by fantastic bassist István Tóth, who will add to the sound with his guitar and double bass playing.

In recent years, Kristóf Bacsó has released four albums as a composer, and his compositions have been performed in a delightful orchestration by his trio, quartet, quintet or the Modern Art Orchestra, in which he has been active as a soloist and composer since the band’s foundation. But of all these, he considers Triad as his own child, where he plays with two internationally renowned musicians, Áron Tálas and Márton Juhász. Their music blends elements of jazz and contemporary music with an Eastern European feel, with carefully crafted passages and collective improvisations playing an important role.

Featuring:
Kristóf Bacsó - saxophone, efx
Áron Tálas - Fender Rhodes, piano
Márton Juhász - drums

Table reservations are automatically added during ticket purchase.
Please note that if you purchase an odd number of seats, you might have to share the table with others, especially if the concert is sold out.
For the best dining experience please arrive around 7pm.
We hold reservations until 8pm.

For more information, please call +36 1 216 7894

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Benjamin Appl recorded songs by Schubert, Brahms, and Kurtág on his album Lines of Life, released in 2025. On the album, the composers and their works are closely intertwined in the truest sense. Listeners will not only marvel at how Kurtág's music keeps the world of 19th-century German songs alive in various ways, but will also notice that at times Schubert or Brahms seem to continue or develop phrases, motifs, or ideas from Kurtág.

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