The compositions that form the backbone of the repertoire - mainly by Sámuel Baló - give space and freedom for improvisation and musical communication between the members, so they sound different each time, get a different color and stay fresh.
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Last event date: Wednesday, August 04 2021 8:00PM
Sámuel Baló Trio (HU)
Featuring:
Ambrus Richter - drums
Sámuel Baló - piano
Márk Miskolczi - double bass
Sámuel Baló studied jazz piano in Graz, an institution (Universität für Musik und darstellende Kunst Graz) whose main profile is the high-level teaching of mainstream jazz. However, his teacher, Olaf Polziehn, placed at least as much emphasis on conveying an approach that teaches openness, overcoming prejudice against genres. Sámuel Baló synthesizes these experiences in compositions in which the elements of hardbop and modal jazz form an organic unity with Hungarian folk music motifs. With his trio formed in the spring of 2020, in which Richter Ambrus plays drums and Márk Miskolczi on double bass, they present Samu’s own compositions at their concert in Opus. In 2021, they also won two awards at the "Jazz Showcase" organized by Müpa, winning the approval of a jury of international members.
Table reservations are automatically added during ticket purchase.
For the best dining experience please arrive around 7pm.
We hold reservations until 8pm.
Featuring: UMZE Ensemble Conductor: Zsolt Nagy Host: Gregory Vajda
With over 160 shows across Europe and China, and 4 critically acclaimed albums, pioneering Mediterranean jazz band Ava Trio is celebrating their 10th anniversary in 2025.
The Modern Art Orchestra began operating twenty years ago and has since become one of Hungary's most innovative and diverse musical workshops. To mark this anniversary, the ensemble is celebrating with a three-part premiere series at the Budapest Music Center concert hall. All three evenings of the series, entitled MAO–XX, will feature new compositions and unique musical worlds, where contemporary jazz, classical tradition and poetry all play a role.
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