What makes a music piece difficult (or easy) from the point of view of the composer, the performer, or the listener? The answer, as illustrated by the oeuvres of Schumann, Debussy, Bartók and Ligeti, among others, is far from clear.
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Last event date: Sunday, December 05 2021 6:00PM
A piece may be simple in terms of playing technique, but musically demanding, or vice versa: the energy invested by the performer is often not in direct proportion to the significance of the listening experience. Nevertheless – if we may bring forward the lessons of the evening – the greatest composers wrote great music even in their smallest pieces.
Program:
Part I: An illustrated dialogue between Gábor Csalog and Gergely Fazekas (in Hungarian) about the pieces
intermission
Part II: Piano works by Schumann, Debussy, Bartók, and Ligeti
Featuring:
Gábor Csalog – piano
Gergely Fazekas – music historian
The band absorbs the material of the original recordings, sticking to the arrangements, forms and compositional features. As improvisation is at the heart of jazz, solos are invented by the players at the moment.
Mihály Borbély, who is equally at home in the fields of folk and world music, jazz and contemporary music, and who is extremely popular both in Hungary and abroad, is one of the leading figures of Hungarian jazz as a performer and composer.
Ill Considered continue to astound with their energetic and touching music, fusing free improvisation with a deep understanding of groove.
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