The band's sound is a triad of jazz, classical music and folk music, based on a rather honest and unique sound. They are characterised by a fresh and free approach to the performance of their compositions, often playing in trio or duo. more
Ön egy múltbeli eseményre keresett rá. Kérjük, válogasson aktuális kínálatunkból a Jegy.hu keresőjében!
Last event date: Thursday, August 08 2024 8:00PM
Featuring:
Gábor Weisz - saxophone
János Weisz - piano
Ádám Sárdi - bass guitar
Dávid Szegő - drums
Although the Weisz brothers have been playing together in different bands since they were children, they gave their first joint recital in the marble hall of the Hungarian Radio in the spring of 2013, founding their band. The premiere of their new material in 2016 also took place there, followed by further concerts, also at Opus.
The band's sound is a triad of jazz, classical music and folk music, based on a rather honest and unique sound. They are characterised by a fresh and free approach to the performance of their compositions, often playing in trio or duo. The orchestration is also very varied, sometimes light, sometimes experimental or contemporary, occasionally with a touch of grotesque humour. The compositions in the band's repertoire are created with a deep musical refinement, and the great dynamic differences make the sound even more colourful, combined with individual solos.
Table reservations are automatically added during ticket purchase.
Please note that if you purchase an odd number of seats, you might have to share the table with others, especially if the concert is sold out.
For the best dining experience please arrive around 7pm.
We hold reservations until 8pm.
For more information, please call +36 1 216 7894
After four concerts in 2023, János Mátyás Stark, Gergely Devich and Fülöp Ránki are announcing a new series at the BMC, now under the name of Trio Haris. Their first concert will feature two special gems before the well-known closing piece.
Selected silent films from the collection of the Seydoux-Pathé Foundation
Mingus was only published in the summer of 1971, after Mingus’s death. It became one of the worthiest tributes in the history of jazz, producing instant classics such as the Dry Cleaner from Des Moines.
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