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Gábor Gadó – Judit Rajk – Ditta Rohmann – Tamás Zétényi: Chemin Neuf
Uniting four musicians from different backgrounds, Chemin Neuf promises an extraordinary concert experience.
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Program
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Last event date: Wednesday, February 01 2023 8:00PM
Chemin Neuf
Featuring:
Judit Rajk - vocals
Ditta Rohmann - cello
Tamás Zétényi - cello
Gábor Gadó - guitar
Judit Rajk, with her enchanting voice, has for decades been recognised as an expert on pre-classical music, both in Hungary and abroad. Ditta Rohmann is perhaps best known for her highly unusual Baroque solo sonata recitals with cello and vocal improvisations, while Tamás Zétényi is one of the leading Hungarian stakeholders of the interpretation of contemporary music. This time, composer-guitarist Gábor Gadó's unique universe fuses with the worlds of early music, Baroque and contemporary music. Gadó's use of modal traditions and tonal harmonies is extremely intimate, partly because he has also developed a unique relationship with the great artistic and spiritual movements of Central Europe, as well as with Eastern mysticism.
The 14 strings of the two cellos and the guitar are played at roughly the same pitch, forming an almost otherworldly beautiful blend with the alto voice, which is also deep and warm in tone. The programme arches from modal liturgical early music, through Gregorian chant and and the baroque tradition culminating in Bach, to Liszt, considered the forerunner of modern music. From there, it moves through Kurtág to Miles Davis' controlled freedom, which is free of any system, not even fixed in a score.
Table reservations are automatically added during ticket purchase.
Please note that if you purchase an odd number of seats, you might have to share the table with others, especially if the concert is sold out.
For the best dining experience please arrive around 7pm.
We hold reservations until 8pm.
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They recorded this album 1979 in Japan at an open-air festival, and they are on fire all the way through, displaying huge dynamism and vast perspectives, all five of them breathing as one. They only played originals until the encore, showing compositional bravado, exciting harmonic changes, and intriguing dialogues.
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