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Gadó Gábor - Rajk Judit - Rohmann Ditta - Zétényi Tamás: Chemin Neuf

Gadó Gábor - Rajk Judit - Rohmann Ditta - Zétényi Tamás: Chemin Neuf

Uniting four musicians from different backgrounds, Chemin Neuf promises an extraordinary concert experience. Judit Rajk, with her enchanting voice, has for decades been recognised as an expert on pre-classical music, both in Hungary and abroad.  more

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Last event date: Thursday, September 21 2023 8:00PM

Ditta Rohmann is perhaps best known for her highly unusual Baroque solo sonata recitals with cello and vocal improvisations, while Tamás Zétényi is one of the leading Hungarian stakeholders of the interpretation of contemporary music. This time, composer-guitarist Gábor Gadó's unique universe fuses with the worlds of early music, Baroque and contemporary music. Gadó's use of modal traditions and tonal harmonies is extremely intimate, partly because he has also developed a unique relationship with the great artistic and spiritual movements of Central Europe, as well as with Eastern mysticism.

The 14 strings of the two cellos and the guitar are played at roughly the same pitch, forming an almost otherworldly beautiful blend with the alto voice, which is also deep and warm in tone. The programme arches from modal liturgical early music, through Gregorian chant and and the baroque tradition culminating in Bach, to Liszt, considered the forerunner of modern music. From there, it moves through Kurtág to Miles Davis' controlled freedom, which is free of any system, not even fixed in a score.

Featuring:

Judit Rajk - voice
Ditta Rohmann - cello
Tamás Zétényi - cello
Gábor Gadó - guitar

Table reservations are automatically added during ticket purchase.
Please note that if you purchase an odd number of seats, you might have to share the table with others, especially if the concert is sold out.
For the best dining experience please arrive around 7pm.
We hold reservations until 8pm.

For more information, please call +36 1 216 7894

Our offer


Ponga is a music group that thrives on the possibilities of free improvisation, which is at the core of everything they play.

Springing off a sound reminiscent of acoustic piano trios of the 50s and 60s, Oùat explores the memory and perspectives of hand crafted, collective, music making. Jazz in its most open operative meaning, in which improvisation is a real necessity, stimulates the trio to confront and investigate our times of sounds and movements.

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