The project by the quirky name of GIIPUJA, which stands for (translated from Croatian) Music of Istra and the Croatian Littoral in Jazz Arrangements, has been bringing modern jazz with a distinct ethno flavour to Croatian and regional audiences since 2013. more
Ön egy múltbeli eseményre keresett rá. Kérjük, válogasson aktuális kínálatunkból a Jegy.hu keresőjében!
Last event date: Wednesday, August 24 2022 8:00PM
The peculiar line-up, consisting of double bass, drums, bass clarinet, violin and various traditional instruments from the Istra region, combines traditional and modern instruments which, with the absence of usual harmonic layers, make for a strikingly original and unique sound. Their repertoire is an amalgam of original compositions, traditional Istrian tunes and the ones written by other composers who championed this particular musical idiom. At times, they embrace harsh dissonance, fueled by the interplay of narrow intervals characteristic for the Istrian scale, whilst at other times they succeed in creating a jubilant atmosphere using the same compositional and improvisational principles. The quartet does not function in a traditional manner – each instrument has its own autonomy and importance which radiates at various points during the performance. The end result is a striking synergy of tradition and modernity.
Featuring:
Damjan Grbac - double bass
Tonči Grabušić - drums
Aldo Foško - bass clarinet
Marko First - violin, Istrian traditional instruments (sopela, mih)
Table reservations are automatically added during ticket purchase.
For the best dining experience please arrive around 7pm.
We hold reservations until 8pm.
For more information, please call +36 1 216 7894
Program: Wolfgang Amadeus Mozart: String Quartet in C major „Dissonanzen”, K. 465 Igor Stravinsky: Three Pieces for String Quartet Béla Bartók: String Quartet No. 1
Chamber music artpop is the most reliable expression to describe the specific genre of Mozes & Kaltenecker, a group with a strong jazz background.
There will also be a premiere in the spring series, but most of the plays have already been performed, but usually only once, but in the current arrangement, they will be able to show new associations and new connections.
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