4
j(A)zz! | Flower+: Herbst (AT/SI)
The four bandleaders present a dazzling, sparkling kaleidoscope of musical associations.
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Last event date: Thursday, February 01 2024 8:00PM
j(A)zz! | Flower+: Herbst (AT/SI)
Featuring:
Jure Pukl - saxophone
Georg Vogel - piano
Raphael Preuschl - bass
Michael Prowaznik - drums
First founded as a trio of Georg Vogel, Raphael Preuschl and Michael Prowaznik (keyboards, bass and drumset), Flower is now happy to appear as a quartet with saxophonist Jure Pukl. The albums of the band – Flower (2011), Duft (2015) and Herbst (2022) – show a huge variety of approaches and moods, played by bustling virtuosos of their fields. The four bandleaders present a dazzling, sparkling kaleidoscope of musical associations. All pieces of the band's repertoire are designed for the special cast, written by Jure Pukl, Georg Vogel, Raphael Preuschl or Michael Prowaznik, and mark out various staked out fields within highly interaction-based improvisational navigation, carried out according to the thematic impulse effects, spanning an arc that reflects the moving interaction dynamics of the musical movement direction ranges of the four protagonists, and raises the intensity of concretization accumulations each time in unexpected ways to unforeseen heights.
Table reservations are automatically added during ticket purchase.
Please note that if you purchase an odd number of seats, you might have to share the table with others, especially if the concert is sold out.
For the best dining experience please arrive around 7pm.
We hold reservations until 8pm.
Our offer
The highly successful concert series of bassoonist György Lakatos and Concerto Armonico is based around Vivaldi's concertos. This time they will perform a selection of concertos for one, two, three and even four soloists, with a short Hungarian introduction by György Lakatos.
Benjamin Appl recorded songs by Schubert, Brahms, and Kurtág on his album Lines of Life, released in 2025. On the album, the composers and their works are closely intertwined in the truest sense. Listeners will not only marvel at how Kurtág's music keeps the world of 19th-century German songs alive in various ways, but will also notice that at times Schubert or Brahms seem to continue or develop phrases, motifs, or ideas from Kurtág.
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