Andreas Felber, Journalist and head of the Jazz department of the Austrian Broadcasting Network called the music on Uya “complex and rhythm driven music that you won’t hear from anyone else even on an international level” and “ingeniously wonky chamber jazz / dada rap”. more
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Last event date: Thursday, March 16 2023 8:00PM
j(A)zz! / Synesthetic Octet (AT)
Featuring:
Vincent Pongrácz - clarinet
Doris Nicoletti - flutes
Clemens Salesny - bass clarinet, stritch
Richard Köster - trumpet
Alois Eberl - trombone
Peter Rom - guitar
Manu Mayr - double bass, bass guitar
Lukas König - drums
Uya, the third studio album of the Austrian ensemble Synesthetic Octet was released on Jazzwerkstatt Records in December 2021 and is already nominated for the German Record Critics Award in the category “Crossover Productions”. Andreas Felber, Journalist and head of the Jazz department of the Austrian Broadcasting Network called the music on Uya “complex and rhythm driven music that you won’t hear from anyone else even on an international level” and “ingeniously wonky chamber jazz / dada rap”. The raps in an invented language are supposed to remind the listener of what it’s like to be touched by vocals that you can not understand. As a young teenager, band leader Vincent Pongrácz was fascinated by the expressive power of American rap music even though he couldn’t understand the words. The composer and clarinet player founded Synesthetic Octet in 2013 during a concert series at the renowned jazz club Porgy & Bess in Vienna. The name of the ensemble is inspired by Olivier Messiaen, who was a synesthete himself.
Table reservations are automatically added during ticket purchase.
Please note that if you purchase an odd number of seats, you might have to share the table with others, especially if the concert is sold out.
For the best dining experience please arrive around 7pm.
We hold reservations until 8pm.
Ágnes Lakatos and Kálmán Oláh's duo album Soaring, released in 2022, is a true musical soaring, which is realized in exciting improvisational dialogues, in the artistic expression of the nuanced freedom given by the jazz genre.
The band absorbs the material of the original recordings, sticking to the arrangements, forms and compositional features. As improvisation is at the heart of jazz, solos are invented by the players at the moment.
There will also be a premiere in the spring series, but most of the plays have already been performed, but usually only once, but in the current arrangement, they will be able to show new associations and new connections.
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