On 9 February, Joel Ross released his remarkable fourth Blue Note album nublues, a collection of ballads and blues as seen through the lens of one of the most creative modern jazz groups of our time featuring Immanuel Wilkins on alto saxophone, Jeremy Corren on piano, Kano Mendenhall on bass, and Jeremy Dutton on drums, as well as special guest… more
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Last event date: Saturday, April 13 2024 8:00PM
The genesis of nublues dates back to 2020 when, during the Covid pandemic as live performances were shut down, Ross went back to the New School to finish his degree. One of his classes was taught by the alto saxophonist Darius Jones, who nudged students to dig into the history of the blues. That led Ross down a rabbit hole of what the blues can be; it isn’t just a 12-bar form. He realized it was a feeling. “Sort of a spirit or an energy,” Ross says. “It’s emotion, it’s expression. But I also want to stay true to the rhythmic ideations that we’ve already been developing. I don’t really tell the band how to play anything. What I do tell them is to stay connected and make everything we do related to each other. And play the blues, however that comes off.”
In that way, nublues is a vast record with various entry points, an invitation to choose your own adventure. When asked what he wants to convey with this LP, Ross hesitates. “I don't want my personal experience to be what people are thinking about when they're experiencing it,” he says. “I generally want people to be able to come in and hear the music and interpret it through their own lens.”
“I enjoyed the journey of diving into learning about the blues and understanding the history of the blues, really focusing on developing this band’s sound and band structure,” he says. “For me, it was just about the journey that came from getting into all of the information and figuring out what it was going to be. It’s a constant continuing. It's a snapshot into how we've continued to do the same thing we've been doing and how it's been shifting.”
Vibraphone master and songwriter Joel Ross has adopted an entire ethos dependent on truthful, ongoing communication. A Blue Note artist of critically acclaimed releases KingMaker (2019), Who Are You? (2020) and The Parable of the Poet, he regularly tops the DownBeat and Jazz Journalists Association Critics Polls for his work in the broad lineage of Black music that pulls from jazz, hip hop, church and Chicago improvised music. Now based in Brooklyn, the Chicago-born artist performs across the globe, collaborating with Makaya McCraven, Maria Grand, Kassa Overall, Nicole Mitchell, Gerald Clayton, Melissa Aldana, Walter Smith III, Georgia Anne Muldrow, Wynton Marsalis, Rajna Swaminathan, Marcus Gilmore, Brandee Younger and Marquis Hill.
Featuring:
Joel Ross - vibraphone
Jeremy Corren - piano
Kanoa Mendenhall - double bass
Jeremy Dutton - drums
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A „ballad” played by jazz musicians and singers is supposed to be slow and is typically about romantic feelings. What the leader of MAO, Kornél Fekete-Kovács adds regarding their choice of ballads for this program is that so much could be grouped here, anything that is rather introvert and fits the mood of the season. The repertoire of the big band contains a lot of traditional, and quite many unusual ballads.
The Daveform Quintet, specialised on modern jazz, creates a unique fusion of American, Scandinavian and Balkan jazz, with room for large-scale improvisations. From jazz ballads to contemporary classical music and sloppy grooves, the guys show off a wide range of musical devices.
Program: Franz Schubert: Piano Sonata in G major, D. 894
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