Juhász Gábor Trió
Egyik legnagyobb zenei történetmesélőnk, akinek meséi gitárhúrokon bontakoznak ki, és rendszerint egyfajta líraisággal szólalnak meg, ezúttal régebbi és legújabb kompozícióit tárja a közönség elé triójával. more
Egyik legnagyobb zenei történetmesélőnk, akinek meséi gitárhúrokon bontakoznak ki, és rendszerint egyfajta líraisággal szólalnak meg, ezúttal régebbi és legújabb kompozícióit tárja a közönség elé triójával. more
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Last event date: Friday, September 23 2022 8:00PM
Gábor Juhász – the Hungarian guitarist famous for his beautiful melodies – presents a selection of the time-honoured songs he wrote in his various creative eras: in the early nineties, when he was a member of the Tin Tin Quartet and Pangea, from the period of the first records released under his own name in the early 2000s, while also including compositions written for his trio (György Jeszenszky - drums, with Zoltán Kovács - bass). "This concert showcases my joyful realization that my trio has become an extremely important entity for me" - said the guitarist / band leader, who will also perform standards in addition to his own pieces – standards that accompany and guide him like lighthouses as he sails through his musical career.
Featuring:
Gábor Juhász - guitar
Zoltán Kovács - double bass
György Jeszenszky - drums
Table reservations are automatically added during ticket purchase.
Please note that if you purchase an odd number of seats, you might have to share the table with others, especially if the concert is sold out.
For the best dining experience please arrive around 7pm.
We hold reservations until 8pm.
For more information, please call +36 1 216 7894
Nasip Kısmet is the brainchild of Arif Erdem Ocak, the Turkish-born musician who resides in Budapest, Hungary since 2010, best-known as a founding member and co-songwriter of the famed Ankara band Seksendört who topped charts mid to-late 2000s with consecutive hits.
They recorded this album 1979 in Japan at an open-air festival, and they are on fire all the way through, displaying huge dynamism and vast perspectives, all five of them breathing as one. They only played originals until the encore, showing compositional bravado, exciting harmonic changes, and intriguing dialogues.
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