In the symbiosis of the trio, togetherness is the only source of inspiration for their gliding music. Though this musical retreat, based on contemporary improvisation techniques, may be a fragile flying modus, the participants speak a common language and hear each other in the right way. more
Ön egy múltbeli eseményre keresett rá. Kérjük, válogasson aktuális kínálatunkból a Jegy.hu keresőjében!
Last event date: Wednesday, September 27 2023 8:00PM
Kerub (HU)
Featuring:
Béla Ágoston - soprano saxophone, alto clarinet, wind instruments, steel drum, hö-mi, vocals
Zoltán Mizsei - keyboards, piano, hö-mi, vocals
László Farkas Keönch - cajon, udu, darbuka, kanjira, mouth harp, carillon, bells, shaker, effects, hö-mi, vocals
Akin musical interest, openness, similar vision and secession from the creative workday life, spent with tight-kept wings, turn the common improvisation to a celebration, resembling to a free soaring where Nothing-but-Nothing has been discussed but the time to be spent with playing. In the symbiosis of the trio, togetherness is the only source of inspiration for their gliding music. Though this musical retreat, based on contemporary improvisation techniques, may be a fragile flying modus, the participants speak a common language and hear each other in the right way. Cherubs have four faces, Kerub just three. Perhaps the fourth one is an Ancestor invoked by them – speaking in their tones.
Table reservations are automatically added during ticket purchase.
Please note that if you purchase an odd number of seats, you might have to share the table with others, especially if the concert is sold out.
For the best dining experience please arrive around 7pm.
We hold reservations until 8pm.
The band, celebrating its sixth birthday this year, has already come a long way, having performed in Italy, Poland, Spain, Slovakia, and making their debut in South Korea this year.
Tony Lakatos and Fabio Miano for this event, they formed a quartet with two stellar local musicians to play their own compositions besides some standards. Their music stays close to the so called straight-ahead jazz with bebop and hard bop elements, a characteristic swing, and Latin feel.
Mingus was only published in the summer of 1971, after Mingus’s death. It became one of the worthiest tributes in the history of jazz, producing instant classics such as the Dry Cleaner from Des Moines.
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