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MAO Legendary Albums - Bill Evans: Waltz for Debby

MAO Legendary Albums - Bill Evans: Waltz for Debby

The title tune, an original of the pianist, which he composed for his niece, is in 3/4, however that is not the only feature resembling European classical influence. Impressionistic harmonies are also a staple of Evans. His evident, but quite accessible modernism does not conceal his deeply romantic soul.

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Last event date: Tuesday, September 10 2024 8:00PM

Featuring:
Gábor Cseke - piano
József Barcza Horváth - double bass
László Csízi - drums

The trio led by the father of modern jazz piano, Bill Evans (1929-1980) forms a pinnacle of jazz history unlike no other, especially in the outstanding line-up of Scott La Faro on bass and Paul Motian on drums. They regarded each other as equal as no other group ever before them. The fourth LP of the trio is based on the recording they made in 1961 at the Village Vanguard, New York, a part of which had been released earlier. Evans lived his post-Miles Davis era, but he was still only 31 years old, his bandmates even younger. The title tune, an original of the pianist, which he composed for his niece, is in 3/4, however that is not the only feature resembling European classical influence. Impressionistic harmonies are also a staple of Evans. His evident, but quite accessible modernism does not conceal his deeply romantic soul. The depth of his emotions as well as their expressive articulation speak to the heart of the audience, not just that of the ladies therein, but also that of the tough guys.

Table reservations are automatically added during ticket purchase.
Please note that if you purchase an odd number of seats, you might have to share the table with others, especially if the concert is sold out.
For the best dining experience please arrive around 7pm.
We hold reservations until 8pm.

For more information, please call +36 1 216 7894

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The two young artists, Benedek Devich and Gorka Plada, have found their musical home in the world of 20th- and 21st-century compositions, instead of the classical-romantic virtuoso repertoire. Their programme aims to showcase the lyrical face of the double bass, but it is also a subtle selection that highlights the piano's profound diversity.

Tony Lakatos and Fabio Miano for this event, they formed a quartet with two stellar local musicians to play their own compositions besides some standards. Their music stays close to the so called straight-ahead jazz with bebop and hard bop elements, a characteristic swing, and Latin feel.

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