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Motus Quartet: Viennese sandwich
3

Motus Quartet: Viennese sandwich

Program:
Ludwig van Beethoven: String Quartet in F Major, Op. 18/1
György Kurtág: 12 Microludes
Franz Schubert: String Quartet No. 14 in D Minor („Death and the Maiden”), D 810

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Last event date: Saturday, February 15 2025 7:00PM

Featuring:
Tim de Vries – violin
Karla Križ – violin
Erin Pitts – viola
Domonkos Hartmann – violoncello

It is no coincidence that Motus Quartet chose the opening piece of Beethoven's first quartet series to head the programme: it was the work that marked the beginning of the four musicians' collaboration, and it is also the starting point for Beethoven's inescapable oeuvre for string quartet. György Kurtág's official oeuvre starts with a string quartet from 1959. He composed again for this ensemble in 1977, condensing the gestures and atmospheres of chamber music into vivid miniatures of less than a minute with 12 microludes.

The programme concludes with another work with Viennese connections, Schubert's string quartet Death and the Maiden, one of the fondest pieces in the quartet repertoire, never to fully reveal the secret of its popularity. To perform it is not a mere reward, as the young musicians strive not to let the hundreds of existing recordings determine their own interpretation, but to dig down into the deepest layers of the music where never-before-heard discoveries await.

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From dreamer to magician: Wolfgang Haffner, “best” (Die Welt), “coolest” (ARD ttt), even “most important drummer of his generation” (SZ), is going on tour with his Wolfgang Haffner Trio, following the success of his “Dream Band” and his “Magic Band”. The accompanying album is entitled “Life Rhythm”, which was released in fall 2024.

Founded in 2018, the Korossy Quartet aims to transmit the famous Hungarian string quartet tradition, and to present the broadest possible repertoire to Hungarian and foreign audiences.

The Modern Art Orchestra's À la MAO... series aims to present compositions and adaptations, sometimes originals, by members of the orchestra in a new context.

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