In combining the Hasidic melody's simplicity with the harmonious complexity of jazz, Nigun gently coaxes their audience into a profoundly moving live music experience. In their five years of activity, Nigun has performed at distinctive venues and jazz festivals throughout the world — including France, Hungary, Germany, Israel and more.
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Last event date: Wednesday, September 04 2024 8:00PM
Featuring:
Tom Lev - saxophone
Moshe Elmakias - piano
Opher Schneider - double bass
Yosi Levy - drums
Elegant and deep, adventurous and uplifting – Nigun Quartet boldly places traditional sacred Jewish music in an experimental contemporary jazz context.
Juxtaposing dreamy soundscapes with deliberate rhythms, their music is a delicate balance of contagious rock-band energy and understated finesse. Nigun's surprising sound has a unique resonance and consistently attracts diverse, enthusiastic audiences the world over.
In combining the Hasidic melody's simplicity with the harmonious complexity of jazz, Nigun gently coaxes their audience into a profoundly moving live music experience.
In their five years of activity, Nigun has performed at distinctive venues and jazz festivals throughout the world — including France (Jazz n' Klezmer, Paris & Montpellier), Hungary (Jewish Culture Festival, Budapest), Germany (Usedom Festival, Berlin), Israel (Jerusalem Jazz Festival, Israel Music Showcase Festival) and more. The quartet has been aired on top jazz stations from the UK to Japan, and received widespread international acclaim for both studio albums.
Table reservations are automatically added during ticket purchase.
Please note that if you purchase an odd number of seats, you might have to share the table with others, especially if the concert is sold out.
For the best dining experience please arrive around 7pm.
We hold reservations until 8pm.
For more information, please call +36 1 216 7894
They recorded this album 1979 in Japan at an open-air festival, and they are on fire all the way through, displaying huge dynamism and vast perspectives, all five of them breathing as one. They only played originals until the encore, showing compositional bravado, exciting harmonic changes, and intriguing dialogues.
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