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Qiyan

Qiyan

The word 'qiyan' in classical arabic terminology refers to female slaves, mostly Jewish, who were required to entertain their masters through singing, instrumental music and charm.


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Last event date: Saturday, March 05 2022 8:00PM

Like the Japanese geisha, the qiyan were highly skilled in music, poetry, the arts in general, and wrote a large amount of surviving medieval Arabic poetry. As a result, during the pre-modern Islamist women's society, they were regarded as the highest order of slaves. The region of Al-Andalusia experienced its golden age under the Córdoba Caliphate (929-1031), when the economy and culture flourished universally. The Córdoba Caliphate was generally characterized by it’s religious and cultural tolerance: this was true for the Jews as well as for many of the Christians who had converted to Islam. At this time a distinct musical tradition developed in Al-Andalusia from the melodic treasures of the qiyan trained in Medina, Baghdad and Córdoba. It continued as an artistic form even after the abolition of slavery.

The band Qiyan draws on the incredibly rich Arab-Jewish musical output of this period and celebrates the artistic contribution of an enslaved people. This large ensemble was created by the bassist Péter Ajtai (AMP, Akosh. S. Trio, Baló Project, Geröly Trio, Aram Shelton Quartet and others.), and the album will be his debut as a leader.

Featuring:

    Péter Ajtai - double bass
    Ákos Szelevényi - saxophone
    Dániel Cseke - saxophone
    Ádám Mészáros - guitar
    Ádám Czitrom - guitar
    Áron Porteleki - drums

Table reservations are automatically added during ticket purchase.
For the best dining experience please arrive around 7pm.
We hold reservations until 8pm.

 

 

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At this year’s Babos Echo concert, marking the 77th anniversary of his birth, Gyula Babos’s grand guitar will be played by István Gyárfás on the Opus stage. Each year in the “Babos Echo” concert series, a different artist plays the instrument as a tribute to Gyula Babos’s musical legacy.

Featuring: Mats Gustafsson – saxophone Erwan Keravec – bagpipe Otomo Yoshihide – guitars, turntable

Featuring: János Ávéd – saxophone Ádám Bögöthy – double bass Áron Komjáti – guitar Bendegúz Varga – drums

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