One day, the commander of Tót’s son, who is fighting on the Russian front, comes to the home of the Tót family in Mátraszentanna. He compels the family to pack up. Örkény wrote the work with the victims of the disaster on the Don River in mind. Director Attila Vidnyánszky’s production is also not about war in general, but the conflagration of the Second World War specifically.
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But he goes even farther than Örkény, for in his production the arc of madness stretches all the way to the present. After the soldier songs of the war, the communist marching songs begin, and then the theme music to the television show Dallas suggests that devastation spans different eras. Only the tools and methods change.
The band Deaf Platypus started out at the Jaroslav Ježek Conservatory under the mentorship of Jakub Doležal. Over time, they have moved from jazz-fusion covers to their own compositions: the platypus melodies are often humorous and innocent, but they also like to experiment with odd rhythms and intricate, almost neoclassical arrangements. Jazz improvisation remains the focus of their work.
Featuring: Camila Nebbia – saxophone Goncalo Almeida – double bass Sylvain Darrifourcq – drums
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