In this unusual trio without a drummer, the role of different instruments is in a constant change during performances. After their successful album, The Present, the band released Have No Fear in 2020. Like the previous album, it is characterized by a delicately woven spirit and the duality of meditation and volcanic outbursts. more
Ön egy múltbeli eseményre keresett rá. Kérjük, válogasson aktuális kínálatunkból a Jegy.hu keresőjében!
Last event date: Wednesday, October 19 2022 8:00PM
"Viktor Tóth has released an album with the Arura Trio that reflects on COVID. I do not want to exaggerate, but Have no Fear is one of the best – and not just Hungarian – jazz recordings of the 2000s, although it does not aim at all with the typical soundtrack of the past 20 years, but with a much older one. Or I do not even know: the temporality of matter is elusive, partly because of choosing such idols as spiritual summoners whose truth is still valid today. And that is what an absolutely modern guy does, who is over forty and slowly starts to belong to the middle generation of Hungarian jazz, but who can translate eternal value for today's people."
Featuring:
Viktor Tóth - saxophone
György Orbán - double bass
Miklós Lukács - cimbalom
Table reservations are automatically added during ticket purchase.
Please note that if you purchase an odd number of seats, you might have to share the table with others, especially if the concert is sold out.
For the best dining experience please arrive around 7pm.
We hold reservations until 8pm.
Five natives of different parts of South Korea, DOLTANG is a collective represented with improvised music and unconventional compositions with the influences of jazz rock, progressive rock, and 21st century classical music.
Imre Kőszegi belongs to the first generation of musicians in Hungary who were allowed to approach modern jazz as a self-contained genre, independent of entertaining dance music. His playing was most influenced by bebop and free jazz.
Born of the countless, turbulent and illegitimate love affairs that jazz had with all the music in the world: Laughing Bastards.
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