The music world of the progressive jazz trio, formed in 2014, is a unique fusion in the contemporary jazz scene, in which rock music, metal and folk style features as well as free improvisation or the influence of classical music of the 20th century. more
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Last event date: Saturday, July 09 2022 8:00PM
The rhythmic and harmonic complexity of their compositions is coupled with a direct, instinctive way of performing, flying their audience through a wide range of dynamics and emotions, from deeply melancholic soundscapes to crushing metallic grooves. In February 2020, they presented Petra’s first violin competition at the Academy of Music, expanding into a chamber orchestra, and their album Deadline Haze won the Independent Music Awards (USA) in recognition of independent composers and performers.
Petra Várallyay achieved her first great success as a classical violinist, but later her interest increasingly led to improvisational fusion music and composition. She studied jazz piano and jazz music at the Bartók Konzi, then jazz composition and classical violin at the Academy of Music. With her characteristic playing, she is as present in the cult concert venues of the underground music scene as she is on the stage of the most prestigious concert halls. In addition to her own trio, she is a regular composer of the Jazzation acappella formation, having worked with Bobby McFerrin, Uri Cainen and Yo-Yo Má, performing at numerous domestic and foreign festivals, touring a wide range of genres. In recognition of her musical work, she received the Orszáczky Prize in 2016, the Junior Artisjus Prize in 2017, the Junior Prima Prize in 2020, and the Creative Art Prize, in the piano improvisation competition founded by György Vukán in 2021.
Featuring:
Petra Várallyay - piano, vocals, violin
Zalán Berta bassguitar
Balázs Szikora - drums
There will also be a premiere in the spring series, but most of the plays have already been performed, but usually only once, but in the current arrangement, they will be able to show new associations and new connections.
The band absorbs the material of the original recordings, sticking to the arrangements, forms and compositional features. As improvisation is at the heart of jazz, solos are invented by the players at the moment.
In this duo, they draw on their shared affinity for the music of Ethiopia, having both honed their languages in the company of musical elder statesmen from that country: Jernberg with Hailu Mergia, and Hawkins with Mulatu Astatke.
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